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-- First and foremost, I need Eliot and Shadow!Eliot to have EXORBITANT amounts of angry sex.
-- WIL WHEATON. \o/ Which is pretty much my "Steve Holt!"-esque reaction every time he's on screen.
-- The Kobayashi Maru half-fistbump killed me giggling.
-- I can't help but laugh at Eliot at the art show thingy wearing a wool cap to cover Christian's stitches or lack thereof. Fucking Oklahoma. HEE.
-- Parker and Shadow!Parker talking in the air duct. Aw, I almost want to ship them. Almost.
-- No, show, thank YOU. Mmmm, asskickers and handcuffs.
-- That ending made my vague interest in Nate/Sophie perk up a bit.

Date: 2009-08-27 11:44 am (UTC)
From: [identity profile] apocalypsos.livejournal.com
I thought that she swapped out the Clive tombstone for the Devereaux one, since that's the one she's more keen on burying by the end. (Katherine Clive she appeared to throw away without a care. Sophie Devereaux is the one she's really struggling with losing, since -- among other things -- it's the only name her only friends know her by.)

Date: 2009-08-27 09:29 pm (UTC)
From: [identity profile] marag.livejournal.com
From the comments on Rogers' blog, I think you're right. I'm glad I'm not the only one who was confused, though :)

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